Posts Tagged With: fun

CRAB MAC AND CHEESE?

Never thought I’d order macaroni and cheese for a festive New Years dinner. With crab it was marvelous; served at Alchemy in Murphys, along with lobster bisque, cornbread, a glass of Frog Tooth pino grigio, and a cappuccino, chocolate mousse for desert. Decadent Yum. Thank you Ken and Laurie for the lovely dinner.

Then a walk to the Murphys Hotel for a cocktail and some loud, fun noise of people rejoicing, enjoying. Home early. Listened to my Antsy McClain Trailer Park Troubadors dvd two times. Rang in the year with the television set and feel great this morning.

Merry have we met

Merry have we been

Merry may we part

And, merry meet again.

HAPPY NEW YEAR EVERYONE. MAY 2015 BE YOUR BEST YEAR EVER.

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THIRTY THOUSAND GEARS AND CHEERS.

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My friend Pam Munn recently moved to Thousand Palms and came by the park and picked me up so we could go to lunch and hob-nob around town. She warned me that an event called the Tour de Palm Springs was being hosted this weekend.

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On the highway, it was disconcerting to be driving among sweeping globs of hundreds of bicyclers. In town, it seemed more controlled.

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Ten thousand bikers registered for this 16th annual event. They were friendly, of all ages, and seemed to be having a grand time. They ride to support and raise money for 150 charities in the Coachella Valley.

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I noticed a couple of bikers stopped to cool their feet in a fountain outside of this gated golf course. Pam told me the area has 106 golf courses, all watered with used grey water. I wanted to join them because my feet and one ankle were sore after the power walk of the day before. I walked with this group without a problem before the accident. I have to re-coop slowly.

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She took me around the lower side of town which is surrounded by a mountain range. The land beneath the mountains is owned by the water company. It is their water shed and is protected but with access to mountain climbing and picnicking on water company property.

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Pam spotted this pretty bird. I took the picture from the window. The minute we opened the door, it was gone.

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In town, the event was in full swing, with bands and cheer leaders urging the bikers on to the finish line. I have no clue the distance nor route they ride for this event.

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Families cheered on their favorite biker and watched and waited to take pictures as they crossed the finish line.

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Once they crossed the finish line, they dispersed into the Tour de Palm Springs Street Faire as did we. Several blocks of streets downtown were closed to traffic and given over to the event. We enjoyed it very much. Had a great lunch, and still took time to do a bit of shopping. My swim suit turned into trash since the last time I used it. So, I bought another.

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I waited patiently for the line of people having their picture taken with this 27 foot tall statue of Marilyn. Pam says she is prettier at night because she is lit up and her dress is painted with a pearly, luminous paint.

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We stopped for a drink. The band was good but loud. It was impossible to talk without placing lip to ear. We didn’t stay long.

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At this shop, I think it was Canyon Rose Boutique, the clerk asked us, “Where you from?” I told her Murphys. She said, “Oh, just minutes ago someone from Murphys was in here, are you together.” No. I told her the shop reminded me of Reza’s Bags in Murphys. “That’s what she said, too.” What are the odds?

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I love kitschy stuff, so I took pictures of stuff and no one can have too many scarves doncha know. (I was only going to buy a swim suit, but…)

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This woman was photographing her friend trying on and modeling a beautiful hat.

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I believe this was Weitzmens Gallery. It has huge sculptures in front and massive paintings of good quality if you wanted to find it, it is easy to find.

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There was a lot to see in Palm Springs that Pam and I didn’t get to. I have friends coming on Wednesday that will spend a couple of days and we’ll get another look.

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My bike is practically frozen from being on the back of the bronco through so much changeable weather. It is about as mobile as this one. I’m planning to keep it at home from now on. After dinner in the motor home, Pam and I went to the recreation hall to hear some music, but it wasn’t much to our taste and she left at 8 p.m. This week she is going to give me painting lessons using acrylics.

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MEMORIES THROUGH CHRISTMAS CARDS

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Upon visiting a cousin in Marquette MI one year, I  saw a similar scene near a skating rink where a little boy, with tears streaming down his face,  got his tongue stuck to a metal pole and couldn’t get it off. No one thought to carry water, or realized how thirsty children get, even if it is snowing out. An adult with a cup of coffee freed him. So, of course, I had to have this card for my collection of that lesson learned.

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Little kids in snow country love to catch the first snowflakes with their tongues and suck on icicles. We never had the ice cream flavored icicles that these make-believe children have.

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And, oh, how many snow angels we made right after a fresh fall of snow.

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And every hillside our playground.

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We not only built snowmen and women and children, but igloos and snowball forts and caves. When I look at these cards I remember all that fun stuff. But, I wouldn’t want to go back to snow country.

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Most people from my childhood cut and hauled in a live tree. We didn’t go to a lot.

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And dad gave pointers on the way it is done, until you were old enough to do it yourself. My oldest brother chopped his first tree, beautiful and just the right size when viewed in the woods. When he dragged it home, we couldn’t get it through the door. But, we chopped it in half, the neighbor on our road used the top half and we used the bottom half. It all worked out.

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Sweeping off the sidewalk to feed the birds.

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The boy with the snowball reminds me of mittens so stuck with snow, we liked to chew it off so we could make another snowball. (Much to my mother’s chagrin.)

I’m on my way today to finish errands, get a last treatment from the chiropractor and maybe write a few Christmas cards. Hope you are enjoying the season as I am, no matter how busy.

 

 

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REVISITING POSSLQ

The word posslq, or, as I misspelled it, adding an extra oh to give its complete acronym. It is pronounced poss-ul-q.

While I became acquainted with the word during the census of the 70’s, I had no idea it had an earlier origin until reader Judilyn posted this:

I have been looking all over the net for a poem by Erma Bombeck about POSSLQ that I thought I had read decades ago, but have struck out. I did, however, find this quote from the 1700′s!

Come live with me and be my love,
And we will some new pleasures prove
Of golden sands and crystal brooks
With silken lines, and silver hooks.
There’s nothing that I wouldn’t do
If you would be my POSSLQ.

You live with me, and I with you,
And you will be my POSSLQ.
I’ll be your friend and so much more;
That’s what a POSSLQ is for.

And everything we will confess;
Yes, even to the IRS.
Some day on what we both may earn,
Perhaps we’ll file a joint return.
You’ll share my pad, my taxes, joint;
You’ll share my life – up to a point!
And that you’ll be so glad to do,
Because you’ll be my POSSLQ.
%
Come, muse, let us sing of rats!
– From a poem by James Grainger (1721-1767)

She and I both wondered about the IRS, and how that reference came out of the 1700’s?  Well, mystery solved from Wikipedia comes this information:

POSSLQ (/ˈpɒsəlkjuː/ POSS-əl-KYOO) is an abbreviation (or acronym) for “Persons of Opposite Sex Sharing Living Quarters,” a term coined in the late 1970s by the United States Census Bureau as part of an effort to more accurately gauge the prevalence of cohabitation in American households.

After the 1980 Census, the term gained currency in the wider culture for a time.[1] CBS commentator Charles Osgood composed a verse which includes

There’s nothing that I wouldn’t do
If you would be my POSSLQ
You live with me and I with you,
And you will be my POSSLQ.
I’ll be your friend and so much more;
That’s what a POSSLQ is for.[2]

Elliot Sperber, the writer of The Hartford Courants weekly cryptogram, invented a cryptogram that (when solved) said:

Roses are Red,
Violets are Blue,
Won’t you be my POSSLQ?

Anyway, it was a fun excursion into the term posslq and I enjoyed the poem by Charles Osgood and the cryptogram too.

There are two references on-line to humorist Erma Bombeck’s statements about posslq. One from the New York Time’s magazine in March of 1980 but I didn’t follow the lead through. It was tedious to get there.

Now I’m going to introduce Jim as my posslq to people from now on!!  Reason?  Its fun.

Ciao

 

 

 

 

 

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HOLIDAZE

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Our annual family reunion is really a family and friends reunion. The first to arrive on July 4th was Wendy and Paul Lothrop from Southern California. Long time friends of my daughter Kristanne.  it was designed to be a surprise for her because she hadn’t seen them in a about two years and didn’t know they were coming.

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Doug was cutting tile for one of three tables he rebuilt.

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Kristanne and Austin arrived next. After having a chance to visit with Wendy and Paul, and since we were waaaay behind schedule with extremely hot weather, my inability to do very much, and a lot of things left undone for too long, Doug put Kris to work on the barbeque table he rebuilt, staining the wood trim and later two coats of Varathane.

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Austin hung the flag, washed and tested all the squirt guns to make sure they worked, emptied the garbage and sorted recycling for a run to the dump before the big event on Saturday.

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He only had to toss one gun.

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On Friday, the young cousins arrived. Abby got sparkles in her hair and the boys sported newly painted mohawks for the occasion. Later Kristanne fixed a mohawk for Austin, too.

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Sisters, Bev and Kathy. Bev is mother of the boys and Abby.

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Kathy always brings something zany for the kids, this time some 4th of July sunglasses…

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…and some weird teeth for herself. Boy, what Hollywood can do to make you look old.

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Ted and Bev set up the first tent. The kids played on the trampoline and had squirt gun wars all day, while Wendy kept us all fed.

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Doug put Ted to work patching tubes that went dead.

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Virginia, Cedric, Theo and Owen arrived late on Friday, but the kids got some trampoline time in and we adults played a game called What’s Yours Like?

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It is a guessing game, brings a lot of laughter, and the good thing, is you can snack and drink with the game without worrying about getting your cards or board wet or spilled on or greasy. More reunion stuff tomorrow. Have to visit the Chiropractor this morning.

 

 

 

 

 

 

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SUN RECORDING STUDIO OF MEMPHIS

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Sun Recording Studios of Memphis is a fun, fun tour. Its located on Union Street and if you grew up with Eivis Presley, Roy Orbison, Carl Perkins and Johnny Cash, this is where they got started, with a dream of Studio owner,  Sam Phillips.

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Sam Phillips was a unique character. He grew up around the Blues which according to historians started on Beale Street in Memphis. The slave music of misery,and white  sharecroppers alike singing out their woes; every street corner in the black area of Memphis had a jug band that played for pennies. Music flowed from black churches. The field hollers and rythmic beat of the black community made the streets course with energy  while radio stations only played country music and Grand Old Opry.  Phillips wanted to record the energetic blues.

Wildman DJ Dewey Phillips introduced white kids to "race" music.

There was one DJ named Dewey Phillips who played “race” music. Teenagers listened to it in secret. Dewey would screech out of his microphone,” If your momma don’t like it, all the better. Tell ’em Phillips Sencha.” His station was the Red Hot and Blue in Memphis, screaming to the kids and they loved it.

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What Sam Phllips did, (he and Dewey were not related) was open a recording service. He’d charge you to come in and record your stuff. He’d do a wedding, an anniversary, your poetry, anything at $4 a pop, hoping that someday, someone would walk into his studio and make it big. He recorded the Beale Street Blues and captured that raw energy. He didn’t care about white or black music, he would crank up the amps and distort it. He’d blend styles because he thought music should be fun. He wanted music to sound like a party in the room.

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Elvis grew up in Memphis and he walked in one day. But Elvis paid to record his ballads. Sam didn’t like  “You Are My Sunshine” and other such stuff. He’d try and get Elvis to play something with energy.  Elvis  played with the studio band for a year and a half before something happened that Sam liked while the he and the session players  were just messing around in the studio during a break.  It was the song, “That’s All Right.”   Sam brought it to Dewey who played it 14 times the first night it went on the air. Rock N Roll was born.

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A young John Cash walked in in 1954.  “I’m John Cash and I want you to hear me play”.  Sam listened but told him, “write me an uptempo weeper love song”.  “Cry, Cry, Cry” was released in 1955. Sam called him “The Giant Voice In Black.”

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But,  Sun Studio’s first biggest  paying hit was Carl Perkins, “Don’t you Step On My Blue Suede Shoes.”  Of course Sam was sending recordings to Dewey Phillips and Elivis was hitting the pop charts, crossing styles and fusing music. Carl heard Elvis on the Radio, as did Jerry Lee Lewis. It drew them  to Sun Studio.

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This is what the studio calls its Million Dollar Quartet, Jerry Lee, Carl, Cash and Elvis in one photo. Jerry Lee signed on as a session player (back-up pianist) but in between recordings he’d pound the ivories like a wild man, play with his feet until his piano sounded like a drum. He finally broke through with HIS kind of music with a “A Whole Lot Of Shakin’ Goin On” in 1957. And six months later, “Great Balls OF Fire” scaring the hell out of parents everywhere.

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I love this poster of Jerry Lee playing a burning piano. Lewis is the only musician of the fab four who is still alive and playing rock n roll.

Sam Phillips sold Elvis’s contract to a bigger studio. He was in debt and he knew he didn’t have the bankroll to really further Elvis’ career. A good move for both of them. Elvis didn’t want to leave. I enjoyed this tour very much. There are great pictures of great musicians here, some of their instruments and the recording studio itself. Even if you didn’t grow up in the 1950’s, you will enjoy the energy in this place. The tour guides are great. Lahna Deering was our guide and she is a musician with the Deering And Down band. You can hear her unique music on her website at this link.  I like it and hope she makes it big some day.

http://deeringanddown.com/fr_home.cfm

The rest of the studio tour is about the many great musicians that came here and made great music.

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A rare  picture of Roy Orbison without sunglasses.  Here he is, young and hopeful.

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Big Walter Horton, Blues Harmonica Giant

Big Walter Horton, Blues Harmonica Great.

B.B. King-Memphis Treasure

B.B. King.

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Jim Jaillet, my partner. We were invited to have fun, so we did, as did others. They encourage you to dance to the music and sing along.

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What a crooner!

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The way Roy Orbison usually appeared in public.

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Paul Burlison, a renowned session guitarist.

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Ike Turner, leader of the  Delta Cats Band.

Elvis with session guitarist Scotty Moore and base Bill Black.

Two of Elvis’ session players that were recorded with him at Sun Studios, Scotty and Bill.

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Rufus “Bearcat” Thomas Jr.

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Howlin Wolf.

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If you are an equipment junkie, it is all here.

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An old 45 RPM player. In fact, Sun Studios sells 100’s of remastered 45’s. They sell all of the wonderful pictures as well. It kind of makes me think about galleries who don’t allow pictures for fear you won’t buy any. They do a gold mine business selling everything and still allow photos. Kudos to them.

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Lahna demonstrated how Johnny Cash would put a dollar bill under his strings and loosen them up to get that special sound you hear  in “Folsom Prison Blues.”

A lot of information about Sun Studio, and all the greats that passed through its doors is on Wikipedia:
http://en.wikipedia.org/wiki/Sun_Studio

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They have especially great pictures you don’t often see of Elivis.

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